Generic Fast Food Zombie Counter Help. Check.
Animated plastic Colonel Sanders statues. Check.
Dark General Baskit-Robbing mumbling about how she really liked younger men and how she wanted to capture someone named Ranma and convert him to the Dark Side Of Dessert.
Fast Food Freddie paused at this last, then shrugged it off. Everyone needed a hobby, he supposed.
Dark General Lotsabucks was making plans on using name recognition, smear campaigns against competitiors, and overpricing her product to make it fashionable. Freddie wondered if the world of villainry was ready for such concepts. "Are you sure about that, Lotsabucks?"
"Of course! By using Dark Spirit infusions into mannequins and using zombie teenagers, I can undercut the competition by not using paid staff!" Lotsabucks chortled in a suitably villainous fashion. "Once I have a dominant portion of the marketshare, I can use that to further undercut competitors. Then I can use my lawyers and cause them to use up their available funding in meaningless lawsuits until I can institute... a hostile takeover! Then fire everyone and sell off the gutted company, using the profits from that to enter politics."
"That's a little too villainous," said Freddie. "It's also been done before. Let's set our sites a little smaller than that, shall we? We can always keep your plan as a viable backup."
"Okay, we're out of Furinkan. Everybody but us has been turned into French Maid minions, we tied up 'Bon Bon le French Amazon' and threw her in a closet, and we only beat her because she wasn't expecting both of us to have magical powers such as they are."
Sayuri nodded at Yuka's summation. "So now what?"
Magical Catgirl Yuka considered her options. "My only attack is 'Cutting Remark' and that's insufficient. How about we go find those Sailor Senshi from last night and we tell them?"
Magical Maid Sayuri tried to come up with a better option. "Hmmm. Even if we call the police and they respond, they're liable to get Maided. Sounds like a plan."
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(Posted Thu, 04 Sep 2003 13:07)
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らんま1/2 © Rumiko Takahashi
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